(Mac OS X) or Alt-Shift-drag (Windows) to reposition the overlay the overlay will be visible only when you drag. If you don’t quite manage to align the overlay correctly the first time, there’s no need to start over. The Clone Source panel is called Clip to Brush tip in the panel menu. To make an overlay as large as the layer, turn off the Clipped check box in the Clone Source panel if you used PhotoshopĬS3 you’ll recognize that the layer-sized preview overlay is the way it worked by default in CS3.
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If you’re using a small brush tip, the overlay might be difficult If you chose to leave Show Overlay off, you can press Option-Shift (Mac OS X) or Alt-Shift (Windows) to display the overlay.įigure 11-13 The clone source preview overlay with the Clipped check box offīy default, the preview overlay is the size of the brush tip. If you Option-click/Alt-click a new source point, the overlay appears again until you click or drag to set the new source. (If the Auto-Hide check box is on, the overlay remains visible as you paint.) Overlay goes away, because you’ve positioned it. When you do this, you’ll see a semitransparent copy of the image that moves with the cursor (see Figure 11-13), telling you where you’ll be painting the cloned source pixels when you click or drag. Show Overlay check box in the Clone Source panel. The very useful preview overlay shows you where the cloned pixels will land when you click or drag. Click in a field and press the up arrow or down arrow key, and optionally add the Shift key for larger nudge You can nudge the position, scale, or angle of the Clone Source overlay using the usual arrow key shortcuts in the Clone Source
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Just as you would if you were going to clone-stamp the scratch by hand. Option-click (Mac OS X) or Alt-click (Windows) beside the start of the path to set the source point for the cloning operation,.Choose a soft brush a little wider than the widest point of the scratch.To Darken to remove a dark power line, set the mode to Lighten. To remove a light-colored scratch, set the mode Select the Clone Stamp tool and click the Aligned button in the Options bar.It’sĪ good idea to save the path (double-click on Work Path in the Paths panel and name it). Draw the path using the Pen tool, keeping it as close to the center of the power line (or other defect) as possible.Pixels in one fell swoop (see Figure 11-11). But what if you want to removeĪ line that isn’t straight, such as power lines, which are always more noticeable in a photograph than they were in reality?įor that, you can use the Pen tool to draw a path, then use the Clone Stamp tool to stroke the path, obliterating the offending
#CLONE STAMP TOOL NOT WORKING ON MAC PHOTOSHOP 14 HOW TO#
Back in Figure 11-7 we showed how to get rid of straight scratches by Shift-clicking with the Spot Healing Brush. You don’t even have to switch documents, as long as you have a large enough monitor. If you want to clone from another open document, go right aheadĪnd do it. The following tip provides a way to do so relatively painlessly.ĭon’t let the boundaries of your image’s window restrict you. For example, if you’re rebuildingĪ straight line by cloning another parallel line in the image, you’d be hard-pressed to clone it by any other method than There are times, of course, when both of these pieces of advice should be chucked out the window.
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Erase one speck from pixel information to the left erase the second speck from the right,
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For example, if you’re erasing some specks of dust on someone’s face, don’t justĬlone from one side of the specks. (the point on which you Option/Alt-click). Keep changing the source point that you’re cloning The second exception we make is when we’re using the Clone Stamp tool with a blending mode such as Darken, Lighten, or Soft Light-and then only when the effect is subtle and doesn’t createĪ second mistake people make is continuing to clone from the same area. One exception to this rule is when the area you’re cloning is relatively flat and has little texture or detail (such as theīlurry background behind a portrait). Remember that you can control the opacity and blending mode of the tool using the Options bar or with keystrokes (see Chapter 6, “Essential Photoshop Tips and Tricks”).